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Blending Past and Present Film Aesthetics
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Blending Past and Present Film Aesthetics
How to Create Vintage Videos: A Comprehensive Tutorial
Richard Bennett
Mar 27, 2024• Proven solutions
“Every accomplishment starts with a decision to try.” – A Vintage Thought
Vintage videos are ultimately the retro videos you have ever imagined. The look is highly inspirational in itself. The vintage effect in photography and videos results in a must-see look that everyone wants to capture all day long. The meaning of vintage is ‘the time when something of quality was produced.’ When something is called retro, it means old, recognized, and essential. Vintage also resembles love apart from videos and photos. All in all, it’s a positive and result-oriented thing to carry on in your videos. And this is what we want to mention in this post relating to the creation of vintage videos.
Here are some vintage-style video ideas for you to have a look at.
- Part 1: What to Consider When Shooting a Vintage Video?
- Part 2: How to Create a Stunning Vintage Video?
- Part 3: Tips to Make Your Vintage Videos Stand Out
What to Consider When Shooting a Vintage Video?
Vintage videos are kind of old school vibes and must be shooting accordingly by keeping in mind the following points. These are a sort of expert tips given by photographers based on their practical experience. First of all, you have to understand that a video can be made vintage, but you can’t change the actual environment of shooting. Some editing always involves there in every project out there. Still, the tips given below will help you a lot in creating a retro look.
Use Vintage Lenses
The very first helpful tip is to use a vintage lens. They allow chromatic aberration by distorting colors around the frame. Furthermore, you can find various kinds of lenses in terms of a vintage effect.
Decrease Contrast
Do the correct color grading by reducing the contrast a little bit. You must not level the retro videos in black or white or like-new videos. You can simply add a contrasting effect and then reduce it to have that vintage look.
Keep it a little soft
If you have ever noticed, the vintage videos are a little soft and look like degraded with time. It’s a result of decreased sharpness in the camera’s menu settings. You can even add a slight blur to the final video or simply use recognized software made for video editing .
Brighten up the black levels
Lots of black points in the video are not ideal for a vintage effect. The suitable approach is to bring up black levels and make it dark gray instead of inky black. This look can be achieved either by levels effect or curves effect in your editing software.
Reduce Saturation levels
Bringing down the saturation levels is another tip to create a vintage effect. The old videos are also absent in bright colors. Don’t go too crazy about reduction as 20%-30% saturation level is more than enough.
How to Create a Stunning Vintage Video?
What you need to get started as both beginner and professional is Wondershare Filmora Video Editor. It is a highly recommended software to create vintage videos. The intuitive user interface and lots of editing functions are helpful for a video editor. It has both primary as well as advanced editing programs to check. It has various advanced color tuning tools to promote the making of original videos. It features tint, temperature, Vignette, 3D Luts, Lights, and so on.
Steps for the vintage effect to videos on Wondershare Filmora Video Editor
Step 1: Upload video & make specific changes
The very step is to add the video by clicking the + icon. We have added the three sample videos from the library of Wondershare Filmora itself. Adjust them in the timeline as per your requirements.
After doing all the essential editing functions, click on the Effects tab given at the upper-left corner. Simply type the word Old in the Search tab.
The Old Video filter will immediately appear in the list of filters. Tap the “+” icon in Old Video filter to add to the timeline. Drag its ends right or left to adjust the duration.
Step 2: Apply White & Black Filters
The second step is to apply the Black & White filters. Go to the Effects tab and explore five Black & White filters available. Each of these filters is quite different and must be applied accordingly. Check the aesthetic of your video clip before any filter application to retro videos.
Step 3: Add the Sun Kissed or Sepia Tone Rise Filters to the video clip
There are various other categories of filters you can apply, such as Retro, Sun Kissed, and Sepia Tone, etc. The features of Filmora also present several subcategories such as Faux Film or Shake.
On the other hand, the subcategory of Sepia Tone features Sun-Kissed & Rise Filters to stimulate sepia-tinted texture and recreate the old visual style. The Sun Kissed filter presents brown and red colors to give that warm image atmosphere.
Step 4: Desaturate Video Clip
Now, you need to desaturate the video clip with Ash & Willow filters. We have typed Ash in the Search bar, and you can see the filter below. These filters are essential to desaturate the video with preset contrast, brightness, or exposure values.
Then, we have combined the black & white filter with an overlay of Film Reel Horizontal. It will help you sell the effect and make the video look more authentic. However, the only application of Black & White or Ash & Willow filters is not going to make any creative thing in terms of vintage videos. You have to mix overlays with features such as Random Dust or Film Reel Horizontal.
Step 5: Apply Black & White and Old Film Color Correction Presets to the video
You can also access the Advanced color correction Tab of Filmora from the Color button. It also features Preset and Adjusts Tabs to desaturate footage. The Preset presents a variety of options, including Black & White and Old Film. You just need to right-click the particular preset and select the Apply option.
Tips to Make Your Vintage Videos Stand Out
Following the helpful tips would assist you in creating awesome retro videos.
- You can use various vintage apps such as Retro VHS, RTRO Camera, 8mm, Camcorder, VSCO, etc. Or, despite using these limited apps, you can directly use our preferred video editing software called Wondershare Filmora.
- If you use a specific vintage camera, keep it on low highlights and low contrasts. Use color grading, as we have discussed above. They help to provide the ultimate old-school effect.
- Always keep low saturation settings for shooting vintage videos. Take control over Saturation, Hue, and Luminance of video.
- Add overlays and respective filters to recreate a required vintage look. You must add things that dust, scratch, and grain the heck out from the video that you have created.
- Lower the frame rate or FPS to create an excellent vintage look. You can make it to 18 or 14 FPS depending upon the aesthetic requirements.
- Keep an eye on black and white filters you have used. It’s because more of a black and white can ruin the actual vintage experience.
Conclusion
So, this is an ultimate tutorial on the creation of vintage videos. We Hope you have admired the steps and our recommended video editing software. Vintage means grand, and thus you should make it amazing as well. It is the reason we have stated all facts regarding the vintage effect in our post above. Wondering how to add such effect in FCPX? check this article:How to Create a Vignette in Final Cut Pro X?
Surely give a read and thank us later!
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Mar 27, 2024• Proven solutions
“Every accomplishment starts with a decision to try.” – A Vintage Thought
Vintage videos are ultimately the retro videos you have ever imagined. The look is highly inspirational in itself. The vintage effect in photography and videos results in a must-see look that everyone wants to capture all day long. The meaning of vintage is ‘the time when something of quality was produced.’ When something is called retro, it means old, recognized, and essential. Vintage also resembles love apart from videos and photos. All in all, it’s a positive and result-oriented thing to carry on in your videos. And this is what we want to mention in this post relating to the creation of vintage videos.
Here are some vintage-style video ideas for you to have a look at.
- Part 1: What to Consider When Shooting a Vintage Video?
- Part 2: How to Create a Stunning Vintage Video?
- Part 3: Tips to Make Your Vintage Videos Stand Out
What to Consider When Shooting a Vintage Video?
Vintage videos are kind of old school vibes and must be shooting accordingly by keeping in mind the following points. These are a sort of expert tips given by photographers based on their practical experience. First of all, you have to understand that a video can be made vintage, but you can’t change the actual environment of shooting. Some editing always involves there in every project out there. Still, the tips given below will help you a lot in creating a retro look.
Use Vintage Lenses
The very first helpful tip is to use a vintage lens. They allow chromatic aberration by distorting colors around the frame. Furthermore, you can find various kinds of lenses in terms of a vintage effect.
Decrease Contrast
Do the correct color grading by reducing the contrast a little bit. You must not level the retro videos in black or white or like-new videos. You can simply add a contrasting effect and then reduce it to have that vintage look.
Keep it a little soft
If you have ever noticed, the vintage videos are a little soft and look like degraded with time. It’s a result of decreased sharpness in the camera’s menu settings. You can even add a slight blur to the final video or simply use recognized software made for video editing .
Brighten up the black levels
Lots of black points in the video are not ideal for a vintage effect. The suitable approach is to bring up black levels and make it dark gray instead of inky black. This look can be achieved either by levels effect or curves effect in your editing software.
Reduce Saturation levels
Bringing down the saturation levels is another tip to create a vintage effect. The old videos are also absent in bright colors. Don’t go too crazy about reduction as 20%-30% saturation level is more than enough.
How to Create a Stunning Vintage Video?
What you need to get started as both beginner and professional is Wondershare Filmora Video Editor. It is a highly recommended software to create vintage videos. The intuitive user interface and lots of editing functions are helpful for a video editor. It has both primary as well as advanced editing programs to check. It has various advanced color tuning tools to promote the making of original videos. It features tint, temperature, Vignette, 3D Luts, Lights, and so on.
Steps for the vintage effect to videos on Wondershare Filmora Video Editor
Step 1: Upload video & make specific changes
The very step is to add the video by clicking the + icon. We have added the three sample videos from the library of Wondershare Filmora itself. Adjust them in the timeline as per your requirements.
After doing all the essential editing functions, click on the Effects tab given at the upper-left corner. Simply type the word Old in the Search tab.
The Old Video filter will immediately appear in the list of filters. Tap the “+” icon in Old Video filter to add to the timeline. Drag its ends right or left to adjust the duration.
Step 2: Apply White & Black Filters
The second step is to apply the Black & White filters. Go to the Effects tab and explore five Black & White filters available. Each of these filters is quite different and must be applied accordingly. Check the aesthetic of your video clip before any filter application to retro videos.
Step 3: Add the Sun Kissed or Sepia Tone Rise Filters to the video clip
There are various other categories of filters you can apply, such as Retro, Sun Kissed, and Sepia Tone, etc. The features of Filmora also present several subcategories such as Faux Film or Shake.
On the other hand, the subcategory of Sepia Tone features Sun-Kissed & Rise Filters to stimulate sepia-tinted texture and recreate the old visual style. The Sun Kissed filter presents brown and red colors to give that warm image atmosphere.
Step 4: Desaturate Video Clip
Now, you need to desaturate the video clip with Ash & Willow filters. We have typed Ash in the Search bar, and you can see the filter below. These filters are essential to desaturate the video with preset contrast, brightness, or exposure values.
Then, we have combined the black & white filter with an overlay of Film Reel Horizontal. It will help you sell the effect and make the video look more authentic. However, the only application of Black & White or Ash & Willow filters is not going to make any creative thing in terms of vintage videos. You have to mix overlays with features such as Random Dust or Film Reel Horizontal.
Step 5: Apply Black & White and Old Film Color Correction Presets to the video
You can also access the Advanced color correction Tab of Filmora from the Color button. It also features Preset and Adjusts Tabs to desaturate footage. The Preset presents a variety of options, including Black & White and Old Film. You just need to right-click the particular preset and select the Apply option.
Tips to Make Your Vintage Videos Stand Out
Following the helpful tips would assist you in creating awesome retro videos.
- You can use various vintage apps such as Retro VHS, RTRO Camera, 8mm, Camcorder, VSCO, etc. Or, despite using these limited apps, you can directly use our preferred video editing software called Wondershare Filmora.
- If you use a specific vintage camera, keep it on low highlights and low contrasts. Use color grading, as we have discussed above. They help to provide the ultimate old-school effect.
- Always keep low saturation settings for shooting vintage videos. Take control over Saturation, Hue, and Luminance of video.
- Add overlays and respective filters to recreate a required vintage look. You must add things that dust, scratch, and grain the heck out from the video that you have created.
- Lower the frame rate or FPS to create an excellent vintage look. You can make it to 18 or 14 FPS depending upon the aesthetic requirements.
- Keep an eye on black and white filters you have used. It’s because more of a black and white can ruin the actual vintage experience.
Conclusion
So, this is an ultimate tutorial on the creation of vintage videos. We Hope you have admired the steps and our recommended video editing software. Vintage means grand, and thus you should make it amazing as well. It is the reason we have stated all facts regarding the vintage effect in our post above. Wondering how to add such effect in FCPX? check this article:How to Create a Vignette in Final Cut Pro X?
Surely give a read and thank us later!
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Mar 27, 2024• Proven solutions
“Every accomplishment starts with a decision to try.” – A Vintage Thought
Vintage videos are ultimately the retro videos you have ever imagined. The look is highly inspirational in itself. The vintage effect in photography and videos results in a must-see look that everyone wants to capture all day long. The meaning of vintage is ‘the time when something of quality was produced.’ When something is called retro, it means old, recognized, and essential. Vintage also resembles love apart from videos and photos. All in all, it’s a positive and result-oriented thing to carry on in your videos. And this is what we want to mention in this post relating to the creation of vintage videos.
Here are some vintage-style video ideas for you to have a look at.
- Part 1: What to Consider When Shooting a Vintage Video?
- Part 2: How to Create a Stunning Vintage Video?
- Part 3: Tips to Make Your Vintage Videos Stand Out
What to Consider When Shooting a Vintage Video?
Vintage videos are kind of old school vibes and must be shooting accordingly by keeping in mind the following points. These are a sort of expert tips given by photographers based on their practical experience. First of all, you have to understand that a video can be made vintage, but you can’t change the actual environment of shooting. Some editing always involves there in every project out there. Still, the tips given below will help you a lot in creating a retro look.
Use Vintage Lenses
The very first helpful tip is to use a vintage lens. They allow chromatic aberration by distorting colors around the frame. Furthermore, you can find various kinds of lenses in terms of a vintage effect.
Decrease Contrast
Do the correct color grading by reducing the contrast a little bit. You must not level the retro videos in black or white or like-new videos. You can simply add a contrasting effect and then reduce it to have that vintage look.
Keep it a little soft
If you have ever noticed, the vintage videos are a little soft and look like degraded with time. It’s a result of decreased sharpness in the camera’s menu settings. You can even add a slight blur to the final video or simply use recognized software made for video editing .
Brighten up the black levels
Lots of black points in the video are not ideal for a vintage effect. The suitable approach is to bring up black levels and make it dark gray instead of inky black. This look can be achieved either by levels effect or curves effect in your editing software.
Reduce Saturation levels
Bringing down the saturation levels is another tip to create a vintage effect. The old videos are also absent in bright colors. Don’t go too crazy about reduction as 20%-30% saturation level is more than enough.
How to Create a Stunning Vintage Video?
What you need to get started as both beginner and professional is Wondershare Filmora Video Editor. It is a highly recommended software to create vintage videos. The intuitive user interface and lots of editing functions are helpful for a video editor. It has both primary as well as advanced editing programs to check. It has various advanced color tuning tools to promote the making of original videos. It features tint, temperature, Vignette, 3D Luts, Lights, and so on.
Steps for the vintage effect to videos on Wondershare Filmora Video Editor
Step 1: Upload video & make specific changes
The very step is to add the video by clicking the + icon. We have added the three sample videos from the library of Wondershare Filmora itself. Adjust them in the timeline as per your requirements.
After doing all the essential editing functions, click on the Effects tab given at the upper-left corner. Simply type the word Old in the Search tab.
The Old Video filter will immediately appear in the list of filters. Tap the “+” icon in Old Video filter to add to the timeline. Drag its ends right or left to adjust the duration.
Step 2: Apply White & Black Filters
The second step is to apply the Black & White filters. Go to the Effects tab and explore five Black & White filters available. Each of these filters is quite different and must be applied accordingly. Check the aesthetic of your video clip before any filter application to retro videos.
Step 3: Add the Sun Kissed or Sepia Tone Rise Filters to the video clip
There are various other categories of filters you can apply, such as Retro, Sun Kissed, and Sepia Tone, etc. The features of Filmora also present several subcategories such as Faux Film or Shake.
On the other hand, the subcategory of Sepia Tone features Sun-Kissed & Rise Filters to stimulate sepia-tinted texture and recreate the old visual style. The Sun Kissed filter presents brown and red colors to give that warm image atmosphere.
Step 4: Desaturate Video Clip
Now, you need to desaturate the video clip with Ash & Willow filters. We have typed Ash in the Search bar, and you can see the filter below. These filters are essential to desaturate the video with preset contrast, brightness, or exposure values.
Then, we have combined the black & white filter with an overlay of Film Reel Horizontal. It will help you sell the effect and make the video look more authentic. However, the only application of Black & White or Ash & Willow filters is not going to make any creative thing in terms of vintage videos. You have to mix overlays with features such as Random Dust or Film Reel Horizontal.
Step 5: Apply Black & White and Old Film Color Correction Presets to the video
You can also access the Advanced color correction Tab of Filmora from the Color button. It also features Preset and Adjusts Tabs to desaturate footage. The Preset presents a variety of options, including Black & White and Old Film. You just need to right-click the particular preset and select the Apply option.
Tips to Make Your Vintage Videos Stand Out
Following the helpful tips would assist you in creating awesome retro videos.
- You can use various vintage apps such as Retro VHS, RTRO Camera, 8mm, Camcorder, VSCO, etc. Or, despite using these limited apps, you can directly use our preferred video editing software called Wondershare Filmora.
- If you use a specific vintage camera, keep it on low highlights and low contrasts. Use color grading, as we have discussed above. They help to provide the ultimate old-school effect.
- Always keep low saturation settings for shooting vintage videos. Take control over Saturation, Hue, and Luminance of video.
- Add overlays and respective filters to recreate a required vintage look. You must add things that dust, scratch, and grain the heck out from the video that you have created.
- Lower the frame rate or FPS to create an excellent vintage look. You can make it to 18 or 14 FPS depending upon the aesthetic requirements.
- Keep an eye on black and white filters you have used. It’s because more of a black and white can ruin the actual vintage experience.
Conclusion
So, this is an ultimate tutorial on the creation of vintage videos. We Hope you have admired the steps and our recommended video editing software. Vintage means grand, and thus you should make it amazing as well. It is the reason we have stated all facts regarding the vintage effect in our post above. Wondering how to add such effect in FCPX? check this article:How to Create a Vignette in Final Cut Pro X?
Surely give a read and thank us later!
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Mar 27, 2024• Proven solutions
“Every accomplishment starts with a decision to try.” – A Vintage Thought
Vintage videos are ultimately the retro videos you have ever imagined. The look is highly inspirational in itself. The vintage effect in photography and videos results in a must-see look that everyone wants to capture all day long. The meaning of vintage is ‘the time when something of quality was produced.’ When something is called retro, it means old, recognized, and essential. Vintage also resembles love apart from videos and photos. All in all, it’s a positive and result-oriented thing to carry on in your videos. And this is what we want to mention in this post relating to the creation of vintage videos.
Here are some vintage-style video ideas for you to have a look at.
- Part 1: What to Consider When Shooting a Vintage Video?
- Part 2: How to Create a Stunning Vintage Video?
- Part 3: Tips to Make Your Vintage Videos Stand Out
What to Consider When Shooting a Vintage Video?
Vintage videos are kind of old school vibes and must be shooting accordingly by keeping in mind the following points. These are a sort of expert tips given by photographers based on their practical experience. First of all, you have to understand that a video can be made vintage, but you can’t change the actual environment of shooting. Some editing always involves there in every project out there. Still, the tips given below will help you a lot in creating a retro look.
Use Vintage Lenses
The very first helpful tip is to use a vintage lens. They allow chromatic aberration by distorting colors around the frame. Furthermore, you can find various kinds of lenses in terms of a vintage effect.
Decrease Contrast
Do the correct color grading by reducing the contrast a little bit. You must not level the retro videos in black or white or like-new videos. You can simply add a contrasting effect and then reduce it to have that vintage look.
Keep it a little soft
If you have ever noticed, the vintage videos are a little soft and look like degraded with time. It’s a result of decreased sharpness in the camera’s menu settings. You can even add a slight blur to the final video or simply use recognized software made for video editing .
Brighten up the black levels
Lots of black points in the video are not ideal for a vintage effect. The suitable approach is to bring up black levels and make it dark gray instead of inky black. This look can be achieved either by levels effect or curves effect in your editing software.
Reduce Saturation levels
Bringing down the saturation levels is another tip to create a vintage effect. The old videos are also absent in bright colors. Don’t go too crazy about reduction as 20%-30% saturation level is more than enough.
How to Create a Stunning Vintage Video?
What you need to get started as both beginner and professional is Wondershare Filmora Video Editor. It is a highly recommended software to create vintage videos. The intuitive user interface and lots of editing functions are helpful for a video editor. It has both primary as well as advanced editing programs to check. It has various advanced color tuning tools to promote the making of original videos. It features tint, temperature, Vignette, 3D Luts, Lights, and so on.
Steps for the vintage effect to videos on Wondershare Filmora Video Editor
Step 1: Upload video & make specific changes
The very step is to add the video by clicking the + icon. We have added the three sample videos from the library of Wondershare Filmora itself. Adjust them in the timeline as per your requirements.
After doing all the essential editing functions, click on the Effects tab given at the upper-left corner. Simply type the word Old in the Search tab.
The Old Video filter will immediately appear in the list of filters. Tap the “+” icon in Old Video filter to add to the timeline. Drag its ends right or left to adjust the duration.
Step 2: Apply White & Black Filters
The second step is to apply the Black & White filters. Go to the Effects tab and explore five Black & White filters available. Each of these filters is quite different and must be applied accordingly. Check the aesthetic of your video clip before any filter application to retro videos.
Step 3: Add the Sun Kissed or Sepia Tone Rise Filters to the video clip
There are various other categories of filters you can apply, such as Retro, Sun Kissed, and Sepia Tone, etc. The features of Filmora also present several subcategories such as Faux Film or Shake.
On the other hand, the subcategory of Sepia Tone features Sun-Kissed & Rise Filters to stimulate sepia-tinted texture and recreate the old visual style. The Sun Kissed filter presents brown and red colors to give that warm image atmosphere.
Step 4: Desaturate Video Clip
Now, you need to desaturate the video clip with Ash & Willow filters. We have typed Ash in the Search bar, and you can see the filter below. These filters are essential to desaturate the video with preset contrast, brightness, or exposure values.
Then, we have combined the black & white filter with an overlay of Film Reel Horizontal. It will help you sell the effect and make the video look more authentic. However, the only application of Black & White or Ash & Willow filters is not going to make any creative thing in terms of vintage videos. You have to mix overlays with features such as Random Dust or Film Reel Horizontal.
Step 5: Apply Black & White and Old Film Color Correction Presets to the video
You can also access the Advanced color correction Tab of Filmora from the Color button. It also features Preset and Adjusts Tabs to desaturate footage. The Preset presents a variety of options, including Black & White and Old Film. You just need to right-click the particular preset and select the Apply option.
Tips to Make Your Vintage Videos Stand Out
Following the helpful tips would assist you in creating awesome retro videos.
- You can use various vintage apps such as Retro VHS, RTRO Camera, 8mm, Camcorder, VSCO, etc. Or, despite using these limited apps, you can directly use our preferred video editing software called Wondershare Filmora.
- If you use a specific vintage camera, keep it on low highlights and low contrasts. Use color grading, as we have discussed above. They help to provide the ultimate old-school effect.
- Always keep low saturation settings for shooting vintage videos. Take control over Saturation, Hue, and Luminance of video.
- Add overlays and respective filters to recreate a required vintage look. You must add things that dust, scratch, and grain the heck out from the video that you have created.
- Lower the frame rate or FPS to create an excellent vintage look. You can make it to 18 or 14 FPS depending upon the aesthetic requirements.
- Keep an eye on black and white filters you have used. It’s because more of a black and white can ruin the actual vintage experience.
Conclusion
So, this is an ultimate tutorial on the creation of vintage videos. We Hope you have admired the steps and our recommended video editing software. Vintage means grand, and thus you should make it amazing as well. It is the reason we have stated all facts regarding the vintage effect in our post above. Wondering how to add such effect in FCPX? check this article:How to Create a Vignette in Final Cut Pro X?
Surely give a read and thank us later!
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Filmmaker’s Choice: Selecting Perfect Lenses for YouTube Creation
A Vlogger’s Guide To Camera Lenses
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
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- Title: Blending Past and Present Film Aesthetics
- Author: Steven
- Created at : 2024-05-25 18:51:00
- Updated at : 2024-05-26 18:51:00
- Link: https://youtube-clips.techidaily.com/blending-past-and-present-film-aesthetics/
- License: This work is licensed under CC BY-NC-SA 4.0.