"2024 Approved Defending Your Videos Against YouTube Copyright Strikes"
Defending Your Videos Against YouTube Copyright Strikes
YouTube Copyright Claims and How to Deal with a Strike?
DLNow Video Downloader
Richard Bennett
Nov 01, 2022• Proven solutions
YouTube copyright rules might not always seem fair, but they are in place for a reason. If your YouTube videos get flagged for copyright issues relating to the background music or film clips it can be frustrating, especially if you receive a copyright notice for using royalty-free music you have a license for. Rather than feeling as though your creativity is being restrained, read this article to better understand the reasons copyright issues come up and what can be done to resolve them. Disputing copyright claims is something that any YouTuber can do.
- What is a Content ID Claim and Why Have I Received One
- Dealing With a Copyright Claim on Your YouTube Video
Part 1： What is a Content ID Claim and Why Have I Received One?
YouTube copyright issues often come up as a result of content ID claims. This will prompt Google support to deliver a copyright notice to your account. Content ID claims are generally made against content that contains material that should not be available on YouTube. Claims are often issued if you don’t own the music, movie clips, TV clips, express rights to showcase cut scenes in video games, or other copyrighted media.
If you happen to see that a video has been muted or taken down you can visit the copyright notices section of your video manager to learn more. In this section you will learn more about what will be done as a result of the content ID claim.
Generally, a content ID claim does not put a YouTube channel in any kind of trouble. What usually happens is that the video is removed, you lose the ability to earn ad revenue from it, or the sound is muted so the copyrighted music no longer plays.
In some cases, the owner of the copyrighted content (usually musical artists) may choose to allow you to keep your video up in exchange for running their ads.
Part 2: Dealing With a Copyright Claim on Your YouTube Video
If you have received copyright claims there are ways that you can get your content put back up in its original condition.
First, you could purchase the rights to use the copyrighted media after your video has been flagged or try getting express permission from the content creator to use aspects of their content in your own original video.
Sometimes, your videos may be flagged even though you’ve already purchased the license for the copyrighted music, images or clips you are using.
YouTube’s robots automatically scan through the database of audio and visual content that is put up by copyright owners. Any video that has been uploaded to YouTube with this copyrighted content will receive a third-party copyright notice. Because flagging happens automatically it often affects creators who have licenses for the royalty-free music, or other copyrighted material, they are using.
The good news is that this same level of protection will ensure that your own original content can also be protected from reuse if you register it.
In order to dispute a copyright claim on your video the first thing that you will need is some proof that you have purchased the rights to the music or other content that is being reused in your video. If you have a direct link to the online license agreement this can help with the dispute process. Purchasing a license online for royalty-free music or other content is usually fairly simple and with a PDF license certificate you can quickly dispute copyright content ID claims.
You can upload your license document to the file sharing system Dropbox to make the content public for YouTube admins to check over. Heading over to your video manager on YouTube and sending a message link with the dispute and link to your license will make sure that your explanation is heard. Sending the license, written permission, or a link to the legal license will result in YouTube reinstating your video.
Most of the time the only information that you need to use is where the license was purchased as well as the link to where the copyright license document can be accessed.
After submitting your dispute YouTube admins will often take a few business days to get back to you with an answer. There is no risk involved in disputing a copyright claim; your video has already been flagged. In the worst case scenario, your video will remain flagged.
Usually with the help of an official license or direct permission from the content creator you can file a dispute with YouTube and receive an answer. If the dispute process is successful your video will be reinstated to the original uploaded version without blocked sound or content.
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
YouTube copyright rules might not always seem fair, but they are in place for a reason. If your YouTube videos get flagged for copyright issues relating to the background music or film clips it can be frustrating, especially if you receive a copyright notice for using royalty-free music you have a license for. Rather than feeling as though your creativity is being restrained, read this article to better understand the reasons copyright issues come up and what can be done to resolve them. Disputing copyright claims is something that any YouTuber can do.
- What is a Content ID Claim and Why Have I Received One
- Dealing With a Copyright Claim on Your YouTube Video
PCDJ Karaoki is the complete professional karaoke software designed for KJs and karaoke venues. Karaoki includes an advanced automatic singer rotation list with singer history, key control, news ticker, next singers screen, a song book exporter and printer, a jukebox background music player and many other features designed so you can host karaoke shows faster and easier!Part 1： What is a Content ID Claim and Why Have I Received One?
YouTube copyright issues often come up as a result of content ID claims. This will prompt Google support to deliver a copyright notice to your account. Content ID claims are generally made against content that contains material that should not be available on YouTube. Claims are often issued if you don’t own the music, movie clips, TV clips, express rights to showcase cut scenes in video games, or other copyrighted media.
If you happen to see that a video has been muted or taken down you can visit the copyright notices section of your video manager to learn more. In this section you will learn more about what will be done as a result of the content ID claim.
Generally, a content ID claim does not put a YouTube channel in any kind of trouble. What usually happens is that the video is removed, you lose the ability to earn ad revenue from it, or the sound is muted so the copyrighted music no longer plays.
In some cases, the owner of the copyrighted content (usually musical artists) may choose to allow you to keep your video up in exchange for running their ads.
Part 2: Dealing With a Copyright Claim on Your YouTube Video
If you have received copyright claims there are ways that you can get your content put back up in its original condition.
First, you could purchase the rights to use the copyrighted media after your video has been flagged or try getting express permission from the content creator to use aspects of their content in your own original video.
Sometimes, your videos may be flagged even though you’ve already purchased the license for the copyrighted music, images or clips you are using.
YouTube’s robots automatically scan through the database of audio and visual content that is put up by copyright owners. Any video that has been uploaded to YouTube with this copyrighted content will receive a third-party copyright notice. Because flagging happens automatically it often affects creators who have licenses for the royalty-free music, or other copyrighted material, they are using.
The good news is that this same level of protection will ensure that your own original content can also be protected from reuse if you register it.
In order to dispute a copyright claim on your video the first thing that you will need is some proof that you have purchased the rights to the music or other content that is being reused in your video. If you have a direct link to the online license agreement this can help with the dispute process. Purchasing a license online for royalty-free music or other content is usually fairly simple and with a PDF license certificate you can quickly dispute copyright content ID claims.
You can upload your license document to the file sharing system Dropbox to make the content public for YouTube admins to check over. Heading over to your video manager on YouTube and sending a message link with the dispute and link to your license will make sure that your explanation is heard. Sending the license, written permission, or a link to the legal license will result in YouTube reinstating your video.
Most of the time the only information that you need to use is where the license was purchased as well as the link to where the copyright license document can be accessed.
After submitting your dispute YouTube admins will often take a few business days to get back to you with an answer. There is no risk involved in disputing a copyright claim; your video has already been flagged. In the worst case scenario, your video will remain flagged.
Usually with the help of an official license or direct permission from the content creator you can file a dispute with YouTube and receive an answer. If the dispute process is successful your video will be reinstated to the original uploaded version without blocked sound or content.
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
YouTube copyright rules might not always seem fair, but they are in place for a reason. If your YouTube videos get flagged for copyright issues relating to the background music or film clips it can be frustrating, especially if you receive a copyright notice for using royalty-free music you have a license for. Rather than feeling as though your creativity is being restrained, read this article to better understand the reasons copyright issues come up and what can be done to resolve them. Disputing copyright claims is something that any YouTuber can do.
- What is a Content ID Claim and Why Have I Received One
- Dealing With a Copyright Claim on Your YouTube Video
Part 1： What is a Content ID Claim and Why Have I Received One?
YouTube copyright issues often come up as a result of content ID claims. This will prompt Google support to deliver a copyright notice to your account. Content ID claims are generally made against content that contains material that should not be available on YouTube. Claims are often issued if you don’t own the music, movie clips, TV clips, express rights to showcase cut scenes in video games, or other copyrighted media.
If you happen to see that a video has been muted or taken down you can visit the copyright notices section of your video manager to learn more. In this section you will learn more about what will be done as a result of the content ID claim.
Generally, a content ID claim does not put a YouTube channel in any kind of trouble. What usually happens is that the video is removed, you lose the ability to earn ad revenue from it, or the sound is muted so the copyrighted music no longer plays.
In some cases, the owner of the copyrighted content (usually musical artists) may choose to allow you to keep your video up in exchange for running their ads.
Software Update Pro - Check and update software installed on your computer.
Part 2: Dealing With a Copyright Claim on Your YouTube Video
If you have received copyright claims there are ways that you can get your content put back up in its original condition.
First, you could purchase the rights to use the copyrighted media after your video has been flagged or try getting express permission from the content creator to use aspects of their content in your own original video.
Sometimes, your videos may be flagged even though you’ve already purchased the license for the copyrighted music, images or clips you are using.
YouTube’s robots automatically scan through the database of audio and visual content that is put up by copyright owners. Any video that has been uploaded to YouTube with this copyrighted content will receive a third-party copyright notice. Because flagging happens automatically it often affects creators who have licenses for the royalty-free music, or other copyrighted material, they are using.
The good news is that this same level of protection will ensure that your own original content can also be protected from reuse if you register it.
In order to dispute a copyright claim on your video the first thing that you will need is some proof that you have purchased the rights to the music or other content that is being reused in your video. If you have a direct link to the online license agreement this can help with the dispute process. Purchasing a license online for royalty-free music or other content is usually fairly simple and with a PDF license certificate you can quickly dispute copyright content ID claims.
You can upload your license document to the file sharing system Dropbox to make the content public for YouTube admins to check over. Heading over to your video manager on YouTube and sending a message link with the dispute and link to your license will make sure that your explanation is heard. Sending the license, written permission, or a link to the legal license will result in YouTube reinstating your video.
Most of the time the only information that you need to use is where the license was purchased as well as the link to where the copyright license document can be accessed.
After submitting your dispute YouTube admins will often take a few business days to get back to you with an answer. There is no risk involved in disputing a copyright claim; your video has already been flagged. In the worst case scenario, your video will remain flagged.
Usually with the help of an official license or direct permission from the content creator you can file a dispute with YouTube and receive an answer. If the dispute process is successful your video will be reinstated to the original uploaded version without blocked sound or content.
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
YouTube copyright rules might not always seem fair, but they are in place for a reason. If your YouTube videos get flagged for copyright issues relating to the background music or film clips it can be frustrating, especially if you receive a copyright notice for using royalty-free music you have a license for. Rather than feeling as though your creativity is being restrained, read this article to better understand the reasons copyright issues come up and what can be done to resolve them. Disputing copyright claims is something that any YouTuber can do.
- What is a Content ID Claim and Why Have I Received One
- Dealing With a Copyright Claim on Your YouTube Video
Part 1： What is a Content ID Claim and Why Have I Received One?
YouTube copyright issues often come up as a result of content ID claims. This will prompt Google support to deliver a copyright notice to your account. Content ID claims are generally made against content that contains material that should not be available on YouTube. Claims are often issued if you don’t own the music, movie clips, TV clips, express rights to showcase cut scenes in video games, or other copyrighted media.
If you happen to see that a video has been muted or taken down you can visit the copyright notices section of your video manager to learn more. In this section you will learn more about what will be done as a result of the content ID claim.
Generally, a content ID claim does not put a YouTube channel in any kind of trouble. What usually happens is that the video is removed, you lose the ability to earn ad revenue from it, or the sound is muted so the copyrighted music no longer plays.
In some cases, the owner of the copyrighted content (usually musical artists) may choose to allow you to keep your video up in exchange for running their ads.
Part 2: Dealing With a Copyright Claim on Your YouTube Video
If you have received copyright claims there are ways that you can get your content put back up in its original condition.
First, you could purchase the rights to use the copyrighted media after your video has been flagged or try getting express permission from the content creator to use aspects of their content in your own original video.
Sometimes, your videos may be flagged even though you’ve already purchased the license for the copyrighted music, images or clips you are using.
YouTube’s robots automatically scan through the database of audio and visual content that is put up by copyright owners. Any video that has been uploaded to YouTube with this copyrighted content will receive a third-party copyright notice. Because flagging happens automatically it often affects creators who have licenses for the royalty-free music, or other copyrighted material, they are using.
The good news is that this same level of protection will ensure that your own original content can also be protected from reuse if you register it.
In order to dispute a copyright claim on your video the first thing that you will need is some proof that you have purchased the rights to the music or other content that is being reused in your video. If you have a direct link to the online license agreement this can help with the dispute process. Purchasing a license online for royalty-free music or other content is usually fairly simple and with a PDF license certificate you can quickly dispute copyright content ID claims.
You can upload your license document to the file sharing system Dropbox to make the content public for YouTube admins to check over. Heading over to your video manager on YouTube and sending a message link with the dispute and link to your license will make sure that your explanation is heard. Sending the license, written permission, or a link to the legal license will result in YouTube reinstating your video.
Most of the time the only information that you need to use is where the license was purchased as well as the link to where the copyright license document can be accessed.
After submitting your dispute YouTube admins will often take a few business days to get back to you with an answer. There is no risk involved in disputing a copyright claim; your video has already been flagged. In the worst case scenario, your video will remain flagged.
Usually with the help of an official license or direct permission from the content creator you can file a dispute with YouTube and receive an answer. If the dispute process is successful your video will be reinstated to the original uploaded version without blocked sound or content.
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Enhancing Your YouTube Content with Right Camera Gear
A Vlogger’s Guide To Camera Lenses
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
ZoneAlarm Pro Antivirus + Firewall NextGen
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
| Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
|---|---|---|---|
| Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
| Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
| Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
| Wide | 35mm | 22mm | 18mm |
| Standard | 50mm | 31mm | 25mm |
| Telephoto | 70mm | 44mm | 35mm |
| Telephoto | 100mm | 63mm | 50mm |
| Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
KoolReport Pro is an advanced solution for creating data reports and dashboards in PHP. Equipped with all extended packages , KoolReport Pro is able to connect to various datasources, perform advanced data analysis, construct stunning charts and graphs and export your beautiful work to PDF, Excel, JPG or other formats. Plus, it includes powerful built-in reports such as pivot report and drill-down report which will save your time in building ones. It will help you to write dynamic data reports easily, to construct intuitive dashboards or to build a whole business intelligence cockpit.
KoolReport Pro package goes with Full Source Code, Royal Free, ONE (1) Year Priority Support, ONE (1) Year Free Upgrade and 30-Days Money Back Guarantee.
Developer License allows Single Developer to create Unlimited Reports, deploy on Unlimited Servers and able deliver the work to Unlimited Clients.
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
| Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
|---|---|---|---|
| Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
| Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
| Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
| Wide | 35mm | 22mm | 18mm |
| Standard | 50mm | 31mm | 25mm |
| Telephoto | 70mm | 44mm | 35mm |
| Telephoto | 100mm | 63mm | 50mm |
| Telephoto | 200mm | 125mm | 100mm |
Easy GIF Animator is a powerful animated GIF editor and the top tool for creating animated pictures, banners, buttons and GIF videos. You get extensive animation editing features, animation effects, unmatched image quality and optimization for the web. No other GIF animation software matches our features and ease of use, that’s why Easy GIF Animator is so popular.Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
| Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
|---|---|---|---|
| Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
| Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
| Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
| Wide | 35mm | 22mm | 18mm |
| Standard | 50mm | 31mm | 25mm |
| Telephoto | 70mm | 44mm | 35mm |
| Telephoto | 100mm | 63mm | 50mm |
| Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Take advantage of PREMIUM features.Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
| Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
|---|---|---|---|
| Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
| Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
| Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
| Wide | 35mm | 22mm | 18mm |
| Standard | 50mm | 31mm | 25mm |
| Telephoto | 70mm | 44mm | 35mm |
| Telephoto | 100mm | 63mm | 50mm |
| Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
- Title: 2024 Approved Defending Your Videos Against YouTube Copyright Strikes
- Author: Steven
- Created at : 2024-07-22 20:23:22
- Updated at : 2024-07-23 20:23:22
- Link: https://youtube-clips.techidaily.com/2024-approved-defending-your-videos-against-youtube-copyright-strikes/
- License: This work is licensed under CC BY-NC-SA 4.0.