10 Essential Tips for Achieving Wealth Through YouTube Video Views for 2024
10 Essential Tips for Achieving Wealth Through YouTube Video Views
Every influencer wants to make it big on YouTube. However, the YouTube view monetization programs are not that clear. Most people don’t even know how YouTube monetization views work. How many views on YouTube do you need to start making money from your content on the platform? Some people have even been made to believe the common misconception that views alone determine the amount of money a YouTuber earns. Let’s have a look at what entails views for YouTube monetization and the factors that affect your earnings on the platform.
YouTube Channel Grower A cross-platform for enhancing and editing YouTube videos for more engagement Free Download Learn More
Part 1. The Real Number of YouTube Views You Need to Make Money
Despite a lot of people seeking a successful career on YouTube, only a handful make it big on the platform. Some of the big names like Mr. Beast have proven how lucrative YouTube can be with the right following. However, for newcomers or beginners, succeeding on YouTube is a challenging feat.
The most burning question is how many monetized views on YouTube do you need to make money? A great deal of creators are still aiming to monetize YouTube views. Let’s have a look at what YouTube monetization review time involves and the views that get paid.
Eligibility to YouTube Views Monetization
Ideally, you will start earning ad revenue on YouTube for every 100 views on your videos. This will only happen after being accepted to the YouTube Partner Program (YPP). The program enables revenue sharing from ads and gives creators access to more features and resources like the Copyright Match Tool.
Anyone residing in countries where the YPP program is available can apply, To get accepted, you will need to meet the following requirements
- 1,000 + Subscribers and 4,000+ public watch in the past 365 days, or
- 1,000 + Subscribers and 10M+ public watch in the past 90 days
Which YouTube Views are Paid
The ad revenue generated from the program is split between different parties. Specifically, Google pays out $68 for every $100 an advertiser pays to the publisher. However, YouTube earns only when viewers skip the ad before 30 seconds, which means you will not be paid. With only an estimated 15% of the viewers watching the required 30 seconds of a video to qualify for payment, not every view will result in being paid. Only the YouTube monetization per view gets paid.
Factors Affecting the Number of Views Needed to Make Money
To make good money on YouTube, however, you’ll want to cross the 100,000 views per video mark. This may sound easy, but getting the accurate amount earned is more than just these simple numbers. Several factors are involved:
- Your youtube niche
- The level of viewers’ satisfaction
- The value of your views or presentation’
- The rate of engagement in your videos
The main factor that determines how many views for YouTube monetization you need to make money is niche. For instance, a channel in the Finance and Technology niche will make more money per 1000 views than those affiliated with comedy or gaming. This is because YouTube channels are monetized by Google Adsense, which pays more for more profitable niches.
On average, you can earn between $1 to more than $25 per 1,000 monetized views on YouTube. This comes down to the specific content you are making and the niche of focus. Those in niches like Finance and Tech will make more money because the Revenue Per Mille (RPM) is higher than other niches. In terms of engagement, videos with higher click-through rates (CTR) and average view duration (AVD) tend to earn more from ads. Other factors such as the country where your viewers are located, time of the year, and type of ads you are running also affect the money earned.
Part 2. Factors That Affect Your YouTube Earnings Per View
The amount of money that YouTubers make may seem complex to understand. Does YouTube pay per view? Yes, but not per video view. YouTube will pay you for views that appear on your channels. The actual revenue will depend on several factors.
- Factors Affecting Earnings per View
- YouTube’s Revenue-Sharing Model
- Attracting Higher-Paying Advertisers
- Other Revenue Streams on YouTube
Factors Affecting Earnings per View
The amount of money YouTubers make per view is affected by various factors:
- Ad Revenue Rates: The rates vary depending on the country where viewers are located, the time of the year, and the ad your YouTube channel is running.
- Audience Demographics: Advertisers usually pay more to show their ads to viewers in some demographics, especially those who are interested in specific products or have a high income.
- Audience Engagement: Videos with high CTR and AVD earn more income from ads.
- Watch Time: YouTube channels with longer viewers watch time earn more money.
YouTube’s Revenue-Sharing Model
The YouTibe’s revenue-sharing model determines how much creators are paid. The standard revenue share is 55% for the creator and 45% for YouTube based on views that generate money. However, the platform may adjust the revenue share for certain creators. This may include creators participating in a special program or those who are part of a network.
An Ad blocker can reduce a YouTuber’s earnings. They prevent ads from displaying on videos, and consequently the creator from earning money that you have generated from those ads. As they become more popular, YouTube estimates that ad blockers cost creators billions of dollars in lost revenue every year.
Attracting Higher-Paying Advertisers
Higher-paying advertisers are interested in YouTube channels that align with these features:
- Audience Demographics: Higher-paying advertisers are interested in videos that show certain demographics. For example, an advertiser of a luxury car will pay more to show ads to viewers who are interested in such cars.
- Audience Engagement: Higher-paying advertisers are willing to pay more to show their ads to channels with higher engagement to increase the chances of people clicking on their ads.
- Watch Time: YouTube channels with longer viewers watch time attract more advertisers. This is because viewers will be engaged for longer periods, increasing their chances of viewing the ad.
Other Revenue Streams on YouTube
You can earn a lot more per 1,000 views by influencing your viewers to buy products even before your channel gets monetized. Other ways of making money on YouTube include
- Selling branded merch or courses
- YouTube Premium subscriber’s subscription fee
- Recurring monthly payments by members for special benefits
- Highlight fan’s messages in chat streams
- Sponsorships by partnering with brands to promote their products or services
- Affiliate marketing
- Brand deals
Part 3. **Editing YouTube Videos for YouTube Monetization with Filmora
Good content will increase audience engagement and grow your YouTube channel. Wondershare Filmora offers a range of features that make video editing quick and easy. From instant mode for beginners to AI features for automation, the Filmora is like your partner in video editing.
Free Download For Win 7 or later(64-bit)
Free Download For macOS 10.14 or later
With Filmora, you can enhance and edit your videos for more engagement on YouTube. You can also edit images posted on Facebook, such as thumbnails. Here are some of the top features to explore.
1. Split Screen Video Editor
With a wide range of pre-made templates to choose from, split your video screen with a single click. Choose to put to videos side to side or in any way that you like.
2. AI Image
Automatically generate images by typing what you want. The text-to-image feature generates 3 resolutions that you can use directly for your video project.
3. Keyframing
The keyframing feature creates fantastic visual animations. It allows users to change position in the hand-drawing pattern and customize opacity to make shorts precise and concise. You can also scale the subject of the clip.
4. Speed Ramping
The speed ramping feature allows you to adjust the speed in your video to be in better control of your keyframes.
5. Mask & Blend
The mask and blend feature of Filmora allows you to make a creative video clip. It comes with a pen tool for creating free-form shape masks.
Conclusion
With YouTube monetization how many views does it take to make money? This will depend on a variety of factors, but the sweet spot is after hitting 100,000 views per video. Since the quality of the content you upload can influence how much you make, we recommend using Wondershare Filmora to edit your videos. The video editing software comes with fantastic features for creating highly engaging videos.
Free Download Free Download Learn More
Part 1. The Real Number of YouTube Views You Need to Make Money
Despite a lot of people seeking a successful career on YouTube, only a handful make it big on the platform. Some of the big names like Mr. Beast have proven how lucrative YouTube can be with the right following. However, for newcomers or beginners, succeeding on YouTube is a challenging feat.
The most burning question is how many monetized views on YouTube do you need to make money? A great deal of creators are still aiming to monetize YouTube views. Let’s have a look at what YouTube monetization review time involves and the views that get paid.
### **Eligibility to YouTube Views Monetization**Ideally, you will start earning ad revenue on YouTube for every 100 views on your videos. This will only happen after being accepted to the YouTube Partner Program (YPP). The program enables revenue sharing from ads and gives creators access to more features and resources like the Copyright Match Tool.
Anyone residing in countries where the YPP program is available can apply, To get accepted, you will need to meet the following requirements
- 1,000 + Subscribers and 4,000+ public watch in the past 365 days, or
- 1,000 + Subscribers and 10M+ public watch in the past 90 days
Which YouTube Views are Paid
The ad revenue generated from the program is split between different parties. Specifically, Google pays out $68 for every $100 an advertiser pays to the publisher. However, YouTube earns only when viewers skip the ad before 30 seconds, which means you will not be paid. With only an estimated 15% of the viewers watching the required 30 seconds of a video to qualify for payment, not every view will result in being paid. Only the YouTube monetization per view gets paid.
Factors Affecting the Number of Views Needed to Make Money
To make good money on YouTube, however, you’ll want to cross the 100,000 views per video mark. This may sound easy, but getting the accurate amount earned is more than just these simple numbers. Several factors are involved:
- Your youtube niche
- The level of viewers’ satisfaction
- The value of your views or presentation’
- The rate of engagement in your videos
The main factor that determines how many views for YouTube monetization you need to make money is niche. For instance, a channel in the Finance and Technology niche will make more money per 1000 views than those affiliated with comedy or gaming. This is because YouTube channels are monetized by Google Adsense, which pays more for more profitable niches.
On average, you can earn between $1 to more than $25 per 1,000 monetized views on YouTube. This comes down to the specific content you are making and the niche of focus. Those in niches like Finance and Tech will make more money because the Revenue Per Mille (RPM) is higher than other niches. In terms of engagement, videos with higher click-through rates (CTR) and average view duration (AVD) tend to earn more from ads. Other factors such as the country where your viewers are located, time of the year, and type of ads you are running also affect the money earned.
Part 2. Factors That Affect Your YouTube Earnings Per View
The amount of money that YouTubers make may seem complex to understand. Does YouTube pay per view? Yes, but not per video view. YouTube will pay you for views that appear on your channels. The actual revenue will depend on several factors.
- Factors Affecting Earnings per View
- YouTube’s Revenue-Sharing Model
- Attracting Higher-Paying Advertisers
- Other Revenue Streams on YouTube
Factors Affecting Earnings per View
The amount of money YouTubers make per view is affected by various factors:
- Ad Revenue Rates: The rates vary depending on the country where viewers are located, the time of the year, and the ad your YouTube channel is running.
- Audience Demographics: Advertisers usually pay more to show their ads to viewers in some demographics, especially those who are interested in specific products or have a high income.
- Audience Engagement: Videos with high CTR and AVD earn more income from ads.
- Watch Time: YouTube channels with longer viewers watch time earn more money.
YouTube’s Revenue-Sharing Model
The YouTibe’s revenue-sharing model determines how much creators are paid. The standard revenue share is 55% for the creator and 45% for YouTube based on views that generate money. However, the platform may adjust the revenue share for certain creators. This may include creators participating in a special program or those who are part of a network.
An Ad blocker can reduce a YouTuber’s earnings. They prevent ads from displaying on videos, and consequently the creator from earning money that you have generated from those ads. As they become more popular, YouTube estimates that ad blockers cost creators billions of dollars in lost revenue every year.
Attracting Higher-Paying Advertisers
Higher-paying advertisers are interested in YouTube channels that align with these features:
- Audience Demographics: Higher-paying advertisers are interested in videos that show certain demographics. For example, an advertiser of a luxury car will pay more to show ads to viewers who are interested in such cars.
- Audience Engagement: Higher-paying advertisers are willing to pay more to show their ads to channels with higher engagement to increase the chances of people clicking on their ads.
- Watch Time: YouTube channels with longer viewers watch time attract more advertisers. This is because viewers will be engaged for longer periods, increasing their chances of viewing the ad.
Other Revenue Streams on YouTube
You can earn a lot more per 1,000 views by influencing your viewers to buy products even before your channel gets monetized. Other ways of making money on YouTube include
- Selling branded merch or courses
- YouTube Premium subscriber’s subscription fee
- Recurring monthly payments by members for special benefits
- Highlight fan’s messages in chat streams
- Sponsorships by partnering with brands to promote their products or services
- Affiliate marketing
- Brand deals
Part 3. **Editing YouTube Videos for YouTube Monetization with Filmora
Good content will increase audience engagement and grow your YouTube channel. Wondershare Filmora offers a range of features that make video editing quick and easy. From instant mode for beginners to AI features for automation, the Filmora is like your partner in video editing.
Free Download For Win 7 or later(64-bit)
Free Download For macOS 10.14 or later
With Filmora, you can enhance and edit your videos for more engagement on YouTube. You can also edit images posted on Facebook, such as thumbnails. Here are some of the top features to explore.
1. Split Screen Video Editor
With a wide range of pre-made templates to choose from, split your video screen with a single click. Choose to put to videos side to side or in any way that you like.
2. AI Image
Automatically generate images by typing what you want. The text-to-image feature generates 3 resolutions that you can use directly for your video project.
3. Keyframing
The keyframing feature creates fantastic visual animations. It allows users to change position in the hand-drawing pattern and customize opacity to make shorts precise and concise. You can also scale the subject of the clip.
4. Speed Ramping
The speed ramping feature allows you to adjust the speed in your video to be in better control of your keyframes.
5. Mask & Blend
The mask and blend feature of Filmora allows you to make a creative video clip. It comes with a pen tool for creating free-form shape masks.
Key features:
• Import from any devices and cams, including GoPro and drones. All formats supported. Сurrently the only free video editor that allows users to export in a new H265/HEVC codec, something essential for those working with 4K and HD.
• Everything for hassle-free basic editing: cut, crop and merge files, add titles and favorite music
• Visual effects, advanced color correction and trendy Instagram-like filters
• All multimedia processing done from one app: video editing capabilities reinforced by a video converter, a screen capture, a video capture, a disc burner and a YouTube uploader
• Non-linear editing: edit several files with simultaneously
• Easy export to social networks: special profiles for YouTube, Facebook, Vimeo, Twitter and Instagram
• High quality export – no conversion quality loss, double export speed even of HD files due to hardware acceleration
• Stabilization tool will turn shaky or jittery footage into a more stable video automatically.
• Essential toolset for professional video editing: blending modes, Mask tool, advanced multiple-color Chroma Key
Conclusion
With YouTube monetization how many views does it take to make money? This will depend on a variety of factors, but the sweet spot is after hitting 100,000 views per video. Since the quality of the content you upload can influence how much you make, we recommend using Wondershare Filmora to edit your videos. The video editing software comes with fantastic features for creating highly engaging videos.
Choosing the Best Cameras & Lenses for Vloggers
A Vlogger’s Guide To Camera Lenses
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
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The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
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Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
Richard Bennett
Nov 01, 2022• Proven solutions
The staple of any vlog is the talking headshot, a shot of the speaker talking directly to the audience. You can compose this shot with different kinds of lenses for your interchangeable lens camera.
But which kind of lens is the right lens for you as a vlogger?
In this article, I’m going to help you figure that out.
- Part 1: Three Focal Length Groups: Wide, Standard, Telephoto
- Part 2: Vlogging With Each Focal Length Group
- Part 3: Crop Factor
- Part 4: Focal Length Equivalency Table
- Part 5: Aperture
- Part 6: Vlogging With a Fast Lens
- Part 7: Optical Image Stabilization
Three Focal Length Groups: Wide, Standard, Telephoto
There are three main ranges in focal lengths that camera lenses can be categorized into wide, standard, and telephoto.
Wide-Angle Lens
Wide-angle lenses can “see more.” They allow more of your scene to fit inside your frame. Objects that are closer to the lens appear much bigger while objects that are further away appear even smaller. Perspectives are also enhanced, making close objects and people that just make it into the sides of the frame appear more stretched out. Out of all the other ranges in focal lengths, wide-angle lenses will appear the least zoomed in.
Standard Lens
With standard lenses or normal lenses, you won’t get the stretched out objects or enhanced perspectives that you get from wide-angle lenses. Instead, standard lenses are meant to see scenes as the natural human eye is meant to see them. If you shoot a scene with both a wide-angle lens and a standard lens from the same position, you’ll notice that less of the scene fits into your frame. Standard lenses will appear more zoomed-in than wide-angle lenses, but less zoomed-in than telephoto lenses.
Telephoto Lens
Out of all the other ranges in focal lengths, telephoto lenses will appear the most zoomed in. This can be beneficial for the shooter who wants to get a closer shot of a scene without having to physically be in close proximity to the scene. Objects that are further away in the background also appear larger and closer than they would appear on wide-angle or standard lenses.
Vlogging With Each Focal Length Group
You can get your talking head footage using lenses from any of the three focal length groups. Depending on how you plan to vlog most of the time, though, one of the three focal lengths might be more suitable for you.
When to vlog with a wide-angle lens
Wide-angle lenses are the most commonly used lenses for vlogging. Wide-angle lenses are great when you need to be close to your camera. This might be the case for you if your recording space is small or if you want to film yourself as you hold your camera up with your own hand.
Being close to your camera not only gives you the option to use your camera’s built-in microphone, but it also gives you the option to make use of camera-mounted shotgun microphones.
When to vlog with a standard lens
Standard lenses are great when you have more space to be further away from your camera. The perspectives in your shot will look more natural through a standard lens, making your talking head footage feel more corporate or professional. You’ll also be able to get blurrier backgrounds using a standard lens versus a wide-angle lens.
Being further away from your camera, however, means that you’ll have to use a separate microphone positioned closer to you.
When to vlog with a telephoto lens
As telephoto lenses are even more zoomed in, you’ll need to be even further away from your camera to fit yourself inside your camera frame. Why would any vlogger ever need to be that far away from their camera? One word… teleprompter. If you want or need to stick to a script, you’ll have to be far away enough from your camera that it doesn’t appear like your eyes are scanning left to right. You then close in the distance with a telephoto lens.
In the above video, Marcos Rocha compares different focal lengths for talking head videos. Which focal length range do you like the look of?
Crop Factor
Focal lengths in camera lenses are measured in millimeters. You can vlog yourself handheld with a 24mm lens on a camera with a full-frame sensor (the sensor is the piece of hardware inside your camera that turns the light it receives into a digital image). But if you use a 24mm lens on a camera with a smaller sensor, like an APS-C sensor or even smaller Micro 4/3 sensor, more of you will get cropped out (see below).
In order to make up for the cropping that occurs, you will need to use a wider lens on cameras with smaller sensors to get the same shot you’d get with a full-frame camera.
Focal Length Equivalency Table
This table shows you the focal lengths needed to achieve the same shot between cameras with different sensor sizes. In order to take a shot as wide as the shot I took of myself with the 24mm lens on my full-frame camera, I would need a 15mm lens on an APS-C sensor camera or a 12mm lens on a micro 4/3 camera.
Focal Length / Sensor | Full Frame | APS-C | Micro 4/3 |
---|---|---|---|
Wide (Handheld Selfie-Safe) | 16mm | 10mm | 8mm |
Wide (Handheld Selfie-Safe) | 18mm | 11mm | 9mm |
Wide (Handheld Selfie-Safe) | 24mm | 15mm | 12mm |
Wide | 35mm | 22mm | 18mm |
Standard | 50mm | 31mm | 25mm |
Telephoto | 70mm | 44mm | 35mm |
Telephoto | 100mm | 63mm | 50mm |
Telephoto | 200mm | 125mm | 100mm |
Aperture
The next thing to consider when you’re looking for a lens is the aperture, the hole (often adjustable) within the lens that lets light in. Aperture for camera lenses is measured in f-stops (f/1.4, f/1.8, f/2.0) - the smaller the f-stop number, the larger the aperture (bigger hole letting even more light in).
Because larger aperture lenses let more light in, they need a shorter time for cameras to compose an image. This is why larger aperture lenses are also called “fast” lenses.
Fast lenses are more expensive because they cost more to produce. There’s a lot more that goes into them, including larger and higher quality glass elements.
But do you even need a fast lens?
Vlogging With a Fast Lens
Pros of Vlogging With a Fast Lens
- Better low-light performance
- Better autofocus performance
- Better “bokeh” (out-of-focus areas, like your background, having that nice blurry look that you see in a lot of movies)
Cons of Vlogging With a Fast Lens
- More expensive
- Moving subjects more likely to get out of focus when shooting with a large aperture
- Better continuous autofocus performance needed when shooting moving subjects with a large aperture
Optical Image Stabilization
Finally, you’ll have to decide whether or not you want your lens to have built-in optical image stabilization (OIS).
OIS is very beneficial to have on a lens if you’re a vlogger who films mostly handheld footage. Although this technology adds to the price of your lens as well, it can greatly help you to capture smoother footage that may otherwise be shaky. Nikon calls this technology “Vibration Reduction” (VR) for their lenses.
In the above video, you can see how much OIS can help to stabilize your footage. MicBergsma simultaneously compares the footage between two GoPro Hero5 Blacks, one with OIS on and one with OIS off.
If, however, you are shooting most of your vlogs on a tripod, you won’t need a lens with OIS.
Looking for ways to set up your talking-head shot for YouTube with any of these lenses? Check out our post on 4 Ways To Set Up Your Talking-Head Shots For YouTube .
Richard Bennett
Richard Bennett is a writer and a lover of all things video.
Follow @Richard Bennett
- Title: 10 Essential Tips for Achieving Wealth Through YouTube Video Views for 2024
- Author: Steven
- Created at : 2024-08-03 03:09:33
- Updated at : 2024-08-04 03:09:33
- Link: https://youtube-clips.techidaily.com/10-essential-tips-for-achieving-wealth-through-youtube-video-views-for-2024/
- License: This work is licensed under CC BY-NC-SA 4.0.